Guajiras

The term “ida y vuelta” is used due to the belief that these styles reached America through Spanish emigrants. They transformed there, and upon the return of these emigrants to their roots, the palos took shape, adopting the forms known in Spain. Besides the Guajira, other “ida y vuelta” palos that originate from Hispanic-American folk music are milonga, rumba, vidalita, and colombiana. 

The Guajira follows a 12-beat compas (rhythm), akin to that of the alegría, with a similar pace. Dancers often wear light colors such as off-white and pastels and lace, reminiscent of Central America costumes.

The dance is traditionally accompanied by a fan, introducing a sensual element that is irresistibly charming. This requires a special technique, which includes learning how to open, close and move the fan while dancing.

The dance, with its music and melody, combined with the fan and light attire, creates a visually appealing spectacle as dancers rhythmically tap their feet, seemingly effortlessly. Unlike many flamenco palos, whihc involve strong emotions, the Guajiras is pleasant, flirtatious, sensual and sweet in its manner, reflecting the sweetness, beauty and easy of the tropical island.

As with other flamenco palos, traditionally the Guajiras are danced as a solo, however it can be choreographed as a group dance. Below is an except of a Guajira I choreographed for my company dancers. On the video you will see they start with 2 fans and then they move on to one.